Hiroshima University Syllabus

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Japanese
Academic Year 2025Year School/Graduate School Liberal Arts Education Program
Lecture Code 61044101 Subject Classification Area Courses
Subject Name Japanese Religion B[旧パッケージ]
Subject Name
(Katakana)
Subject Name in
English
Japanese Religion B
Instructor RIGSBY CURTIS ANDREW
Instructor
(Katakana)
リグスビー カーティス アンドリュー
Campus Higashi-Hiroshima Semester/Term 1st-Year,  Second Semester,  4Term
Days, Periods, and Classrooms (4T) Tues1-2,Fri1-2:IAS K104
Lesson Style Lecture Lesson Style
(More Details)
Face-to-face
Lectures (handouts, PowerPoint slides) 
Credits 2.0 Class Hours/Week 4 Language of Instruction E : English
Course Level 1 : Undergraduate Introductory
Course Area(Area) 23 : Arts and Humanities
Course Area(Discipline) 03 : Religion
Eligible Students
Keywords Shinto, Japanese Buddhism, Japanese Confucianism, Kogaku, traditional Japanese arts, modern Japanese philosophy & commentaries on traditional Japanese religion (ex. Kyoto School, Nishida Philosophy), Comparative Thought 
Special Subject for Teacher Education   Special Subject  
Class Status within
Liberal Arts Education
Area Courses(Courses in Arts and Humanities/Social Sciences) Category:Philosophy / Ethics / Religion / Arts
【As for student who enrolled after AY2018, and if they take this subject and get credit, this subject are regarded as “Area Courses“. But as for the student who enrolled before AY2017, “Package-Based Subject”. And also, for the student who enrolled before AY2017, if they take this subject, not regarded as “Area Courses”.】 
Expected Outcome1. To be able to explain the formation and development processes and contemporary issues of each academic discipline.
2. To be able to explain historical and contemporary issues that span multiple academic disciplines from multifaceted perspectives. 
Class Objectives
/Class Outline
This course is an introduction to the various Japanese religious traditions. This course will examine the history of Japanese religious traditions, but will also comparatively consider their similarities and differences with other religious traditions of the world, as well as their relevance as aesthetic, moral, or theoretical contributions to Japan and the world today. 
Class Schedule lesson1 Introduction
lesson2 Japanese religion and the arts
lesson3 chpt7 Swords & satori: Zen & its culture
lesson4 Zen Buddhism
lesson5 Pure Land Buddhism, Shinran’s revolution
lesson6 chpt8 Christ and Confucius: the West arrives, and then Japan turns inward
lesson7 Confucianism overview
lesson8 Neo-Confucianism overview
lesson9 chpt9 The rising sun and the dark valley: from the Meiji Restoration until 1945
lesson10 Modern Japanese Philosophy pre-Nishida
lesson11 Nishida and the Kyoto School
lesson12 chpt10 Chanting and dancing: Shugendo and the “new religions” of Japan
lesson13 Beyond Modernity: Kyoto School: Nishitani & FAS etc
lesson14 chpt11 Pilgramages: religions in Japan 1945 to the present
lesson15 Overview & Discussion 
Text/Reference
Books,etc.
Introducing Japanese Religion, 2nd edition
Robert Ellwood
2016 Routledge 
PC or AV used in
Class,etc.
(More Details) Handouts, projector (PowerPoint slides) 
Learning techniques to be incorporated
Suggestions on
Preparation and
Review
Students must read the assigned readings, give a presentation, and submit a final paper. Students must come prepared to each class with a question-comment card which includes two questions and / or comments about the assigned reading. Although the instructor will give lectures, students are strongly encouraged to enter into discussion. 
Requirements Adjustments may be made to the syllabus mid-term in order to best guide the unique needs of the students. 
Grading Method Assessment will be based on a presentation (50%) and a final report (50%) 
Practical Experience  
Summary of Practical Experience and Class Contents based on it  
Message  
Other   
Please fill in the class improvement questionnaire which is carried out on all classes.
Instructors will reflect on your feedback and utilize the information for improving their teaching. 
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