Academic Year |
2024Year |
School/Graduate School |
School of Integrated Arts and Sciences Department of Integrated Global Studies |
Lecture Code |
ARS11201 |
Subject Classification |
Specialized Education |
Subject Name |
Japanese Popular Arts and Culture I (現代日本文化論 I) |
Subject Name (Katakana) |
ゲンダイニホンブンカロン I |
Subject Name in English |
Japanese Popular Arts and Culture I |
Instructor |
GRAJDIAN MARIA MIHAELA |
Instructor (Katakana) |
グラジディアン マリア ミハエラ |
Campus |
Higashi-Hiroshima |
Semester/Term |
2nd-Year, First Semester, 1Term |
Days, Periods, and Classrooms |
(1T) Mon9-10:IAS K103 |
Lesson Style |
Lecture |
Lesson Style (More Details) |
|
Discussion, lecture, analysis of video examples viewed during the class. Hybrid class. |
Credits |
1.0 |
Class Hours/Week |
|
Language of Instruction |
E
:
English |
Course Level |
1
:
Undergraduate Introductory
|
Course Area(Area) |
23
:
Arts and Humanities |
Course Area(Discipline) |
04
:
Arts |
Eligible Students |
|
Keywords |
Anime, Visual Arts, Popular Culture, Cultural Imperialism |
Special Subject for Teacher Education |
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Special Subject |
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Class Status within Educational Program (Applicable only to targeted subjects for undergraduate students) | |
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Criterion referenced Evaluation (Applicable only to targeted subjects for undergraduate students) | Integrated Global Studies (Knowledge and Understanding) ・The knowledge and understanding of the important characteristics and basic theoretical framework of individual academic disciplines. |
Class Objectives /Class Outline |
The goal of this class is to familiarize students with the aesthetic and ideological characteristics of Japanese visual arts. As a practical example, the "animation" phenomenon is analysed. The oral presentations and the final term-papers of the participants should be focused on aspects of Japanese animation works released in Japan. |
Class Schedule |
第1回:Introduction, visual arts, aesthetics and ideology 第2回:Visual arts & animation in Japan: definition, history, characteristics 1/3 第3回:Visual arts & animation in Japan: definition, history, characteristics 2/3 第4回:Visual arts & animation in Japan: definition, history, characteristics 3/3 第5回: Students’ presentations 1/3 第6回: Students’ presentations 2/3 第7回: Students’ presentations 3/3 第8回: Conclusion, submission of term papers |
Text/Reference Books,etc. |
The works of Studio Ghibli (Odell/Leblanc 2009). 山口 ヤスオ (2004) 「日本のアニメ全史」、東京:Ten Books出版社、2004 ([The whole history of Japanese animation]), Tokyo: Ten-Books-Press. Clements/McCarthy (2017): The Anime Encyclopedia: A Century of japanese Animation, third edition, Berkeley: Stone Bridge Press. |
PC or AV used in Class,etc. |
|
(More Details) |
Video examples (DVD player, projector), PowerPoint presentations (laptop, projector), etc. |
Learning techniques to be incorporated |
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Suggestions on Preparation and Review |
Class 1: Prewar animation: "Momotaro and the Holy Fighters of the Sea" Class 2: Postwar animation: Tezuka Osamu, Takahata Isao, Miyazaki Hayao Class 3: Postwar animation: 1970-1980-1990 Class 4: Postwar animation: 2000-2010-2020 Class 5: preparation for oral presentation Class 6: preparation for oral presentation Class 7: preparation for oral presentation Class 8: preparation of term-papers |
Requirements |
Fluency in English, passion for animation It is necessary to take both Japanese Popular Arts and Culture I (現代日本文化論 I) and Japanese Popular Arts and Culture Ⅱ(現代日本文化論 Ⅱ). |
Grading Method |
3 small essays, each 10% x 3 =30% ("Tokyo Godfathers", "The Boy and the Beast", "Mary and the Witch's Flower") oral presentation = 20% (a topic of your own choice; depending on the number of participants) term-paper = 50% (a topic of your own choice) |
Practical Experience |
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Summary of Practical Experience and Class Contents based on it |
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Message |
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Other |
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Please fill in the class improvement questionnaire which is carried out on all classes. Instructors will reflect on your feedback and utilize the information for improving their teaching. |