Hiroshima University Syllabus

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Japanese
Academic Year 2022Year School/Graduate School School of Integrated Arts and Sciences
Lecture Code AQH00301 Subject Classification Specialized Education
Subject Name Japanese Arts and Aesthetics (日本の美学と芸術)
Subject Name
(Katakana)
ニホンノビガクトゲイジュツ
Subject Name in
English
Japanese Arts and Aesthetics
Instructor GRAJDIAN MARIA MIHAELA
Instructor
(Katakana)
グラジディアン マリア ミハエラ
Campus Higashi-Hiroshima Semester/Term 2nd-Year,  First Semester,  1Term
Days, Periods, and Classrooms (1T) Mon9-10:IAS K103
Lesson Style Lecture Lesson Style
(More Details)
 
・Lecture, discussion, oral presentations, phenomenological inquiry
・Hybrid style 
Credits 1.0 Class Hours/Week   Language of Instruction E : English
Course Level 3 : Undergraduate High-Intermediate
Course Area(Area) 23 : Arts and Humanities
Course Area(Discipline) 11 : Cultural Anthropology
Eligible Students
Keywords Japanese aesthetics, Japanese premodernity, traditional Japan, invented traditions, Japanese exceptionalism 
Special Subject for Teacher Education   Special Subject  
Class Status
within Educational
Program
 
Criterion referenced
Evaluation
Integrated Arts and Sciences
(Knowledge and Understanding)
・Knowledge and understanding of the importance and characteristics of each discipline and basic theoretical framework.
・The knowledge and understanding  to fully recognize the mutual relations and their importance among individual academic diciplines.

Integrated Global Studies
(Knowledge and Understanding)
・The knowledge and understanding of the important characteristics and basic theoretical framework of individual academic disciplines.
・The knowledge and understanding to fully recognize the
mutual relations and their importance among individual
academic disciplines. 
Class Objectives
/Class Outline
The goal of this class is to familiarize students with selected aspects of classical Japan culture and the way these emerge in late-modern Japan. "Japanese Aesthetics and Culture - A Reader" (1995) is employed as basic resource, while the movie "The Last Samurai" (2003) provides deep insights into the mechanisms of modernity. 
Class Schedule Lesson 1
Introduction: main concepts and ideas (dentô/denshô, mono no aware, giri/ninjô, wakon yôsai, ai)


Lesson 2
Heian Japan I: gagaku and bugaku (court music and dance, since Nara period)


Lesson 3
Heian Japan II: shômyô (Buddhist chant, since Asuka period)


Lesson 4
Tokugawa/Edo Japan I: kabuki and bunraku (stage arts in Edo period)


Lesson 5
Tokugawa/Edo Japan II: ukiyo-e (woodblock prints in Edo period)


Lesson 6
Tokugawa/Edo Japan III: haiku, kanbun literature, encyclopaedias (printed media)


Lesson 7
Meiji Japan: westernization and the creation of the Japanese nation-state
The Last Samurai (2003) 1/2


Lesson 8
Conclusion: syncretism, nostalgia, nationalism
The Last Samurai (2003) 2/2


one essay on "The Last Samurai" = 40%
one essay on a topic of your own = 40%
oral presentation = 20% (depending on the number of participants) 
Text/Reference
Books,etc.
Kosaku, Yoshino (1992): Cultural Nationalism in Contemporary Japan, Nancy G. Hume (1995, editor): Japanese Aesthetics and Culture – A Reader, Havens, Thomas (1970): Nishi Amane and Modern Japanese Thought  
PC or AV used in
Class,etc.
 
(More Details) PowerPoint presentation, DVD 
Learning techniques to be incorporated  
Suggestions on
Preparation and
Review
第1回
Rimer, J. Thomas (1995): Japanese Literature: Four Polarities (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 1-26)
Keene, Donald (1995): Japanese Aesthetics (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 27-42)

第2回
Keene, Donald (1995): Feminine Sensibility in the Heian Era (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 109-124)

第3回
Parkes, Graham (1995): Ways of Japanese Thinking (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 77-108)

第4回
Ueda, Makoto (1995): Zeami and the Art of the No Drama: Imitation, Yugen , and Sublimity (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 177-192)
Shively, Donald H. (1995): The Social Environment of Tokugawa Kabuki (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 193-244)

第5回
De Bary, Wm. Theodore (1995): The Vocabulary of Japanese Aesthetics, I, II, III (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 43-76)
Haga, Koshiro (1995): The Wabi Aesthetic through the Ages (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 245-278)

第6回
Yasuda, Kenneth (1995): "Approach to Haiku" and "Basic Principles" (Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 125-150)
Ueda, Makoto (1995): “Basho on the Art of the Haiku: Impersonality in Poetry” (in: Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 151-176)

第7回
Havens, Thomas (1970): Nishi Amane and Modern Japanese Thought
Ames, Roger T.: Bushido: Mode or Ethic? (in: Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 279-294)

第8回
Kosaku, Yoshino (1992): Cultural Nationalism in Contemporary Japan
Varley H. Paul (1995): Culture in the Present Age (in: Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 295-340) 
Requirements interest in cross-media phenomena, English skills, critical thinking, courage & integrity 
Grading Method one essay on "The Last Samurai" = 40%
one essay on a topic of your own = 40%
oral presentation = 20% (depending on the number of participants) 
Practical Experience  
Summary of Practical Experience and Class Contents based on it  
Message  
Other   
Please fill in the class improvement questionnaire which is carried out on all classes.
Instructors will reflect on your feedback and utilize the information for improving their teaching. 
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