Academic Year |
2022Year |
School/Graduate School |
School of Integrated Arts and Sciences |
Lecture Code |
AQH00301 |
Subject Classification |
Specialized Education |
Subject Name |
Japanese Arts and Aesthetics (日本の美学と芸術) |
Subject Name (Katakana) |
ニホンノビガクトゲイジュツ |
Subject Name in English |
Japanese Arts and Aesthetics |
Instructor |
GRAJDIAN MARIA MIHAELA |
Instructor (Katakana) |
グラジディアン マリア ミハエラ |
Campus |
Higashi-Hiroshima |
Semester/Term |
2nd-Year, First Semester, 1Term |
Days, Periods, and Classrooms |
(1T) Mon9-10:IAS K103 |
Lesson Style |
Lecture |
Lesson Style (More Details) |
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・Lecture, discussion, oral presentations, phenomenological inquiry ・Hybrid style |
Credits |
1.0 |
Class Hours/Week |
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Language of Instruction |
E
:
English |
Course Level |
3
:
Undergraduate High-Intermediate
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Course Area(Area) |
23
:
Arts and Humanities |
Course Area(Discipline) |
11
:
Cultural Anthropology |
Eligible Students |
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Keywords |
Japanese aesthetics, Japanese premodernity, traditional Japan, invented traditions, Japanese exceptionalism |
Special Subject for Teacher Education |
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Special Subject |
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Class Status within Educational Program | |
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Criterion referenced Evaluation | Integrated Arts and Sciences (Knowledge and Understanding) ・Knowledge and understanding of the importance and characteristics of each discipline and basic theoretical framework. ・The knowledge and understanding to fully recognize the mutual relations and their importance among individual academic diciplines.
Integrated Global Studies (Knowledge and Understanding) ・The knowledge and understanding of the important characteristics and basic theoretical framework of individual academic disciplines. ・The knowledge and understanding to fully recognize the mutual relations and their importance among individual academic disciplines. |
Class Objectives /Class Outline |
The goal of this class is to familiarize students with selected aspects of classical Japan culture and the way these emerge in late-modern Japan. "Japanese Aesthetics and Culture - A Reader" (1995) is employed as basic resource, while the movie "The Last Samurai" (2003) provides deep insights into the mechanisms of modernity. |
Class Schedule |
Lesson 1 Introduction: main concepts and ideas (dentô/denshô, mono no aware, giri/ninjô, wakon yôsai, ai)
Lesson 2 Heian Japan I: gagaku and bugaku (court music and dance, since Nara period)
Lesson 3 Heian Japan II: shômyô (Buddhist chant, since Asuka period)
Lesson 4 Tokugawa/Edo Japan I: kabuki and bunraku (stage arts in Edo period)
Lesson 5 Tokugawa/Edo Japan II: ukiyo-e (woodblock prints in Edo period)
Lesson 6 Tokugawa/Edo Japan III: haiku, kanbun literature, encyclopaedias (printed media)
Lesson 7 Meiji Japan: westernization and the creation of the Japanese nation-state The Last Samurai (2003) 1/2
Lesson 8 Conclusion: syncretism, nostalgia, nationalism The Last Samurai (2003) 2/2
one essay on "The Last Samurai" = 40% one essay on a topic of your own = 40% oral presentation = 20% (depending on the number of participants) |
Text/Reference Books,etc. |
Kosaku, Yoshino (1992): Cultural Nationalism in Contemporary Japan, Nancy G. Hume (1995, editor): Japanese Aesthetics and Culture – A Reader, Havens, Thomas (1970): Nishi Amane and Modern Japanese Thought |
PC or AV used in Class,etc. |
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(More Details) |
PowerPoint presentation, DVD |
Learning techniques to be incorporated |
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Suggestions on Preparation and Review |
第1回 Rimer, J. Thomas (1995): Japanese Literature: Four Polarities (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 1-26) Keene, Donald (1995): Japanese Aesthetics (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 27-42)
第2回 Keene, Donald (1995): Feminine Sensibility in the Heian Era (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 109-124)
第3回 Parkes, Graham (1995): Ways of Japanese Thinking (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 77-108)
第4回 Ueda, Makoto (1995): Zeami and the Art of the No Drama: Imitation, Yugen , and Sublimity (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 177-192) Shively, Donald H. (1995): The Social Environment of Tokugawa Kabuki (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 193-244)
第5回 De Bary, Wm. Theodore (1995): The Vocabulary of Japanese Aesthetics, I, II, III (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 43-76) Haga, Koshiro (1995): The Wabi Aesthetic through the Ages (in Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 245-278)
第6回 Yasuda, Kenneth (1995): "Approach to Haiku" and "Basic Principles" (Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 125-150) Ueda, Makoto (1995): “Basho on the Art of the Haiku: Impersonality in Poetry” (in: Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 151-176)
第7回 Havens, Thomas (1970): Nishi Amane and Modern Japanese Thought Ames, Roger T.: Bushido: Mode or Ethic? (in: Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 279-294)
第8回 Kosaku, Yoshino (1992): Cultural Nationalism in Contemporary Japan Varley H. Paul (1995): Culture in the Present Age (in: Japanese Aesthetics and Culture – A Reader, edited by Nancy G. Hume, 295-340) |
Requirements |
interest in cross-media phenomena, English skills, critical thinking, courage & integrity |
Grading Method |
one essay on "The Last Samurai" = 40% one essay on a topic of your own = 40% oral presentation = 20% (depending on the number of participants) |
Practical Experience |
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Summary of Practical Experience and Class Contents based on it |
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Message |
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Other |
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Please fill in the class improvement questionnaire which is carried out on all classes. Instructors will reflect on your feedback and utilize the information for improving their teaching. |